Happy Hump Day everyone. This morning I was going to post another column from Slim Randles, but then Sam started bugging me. Sam, Samantha Rutgers, from Play it Again, Sam, had a few things on her mind, and she wouldn't go away and leave me alone. I'm not making this up folk. Well, I guess I am partially responsible because I did make her up when I wrote the book, but I'm sure all the writers reading this are nodding and saying, "I know what you mean."
Characters become very real to us, and even when the book is finished and has been published, sometimes they come back to talk to us again. On one hand, that can be disruptive when we are working on a new story, but on the other hand, it is kind of neat to have a visit with them again. So, here is Sam with the questions she had for me today. Grab a cup of coffee and a slice of this hot apple pie and join us....
Sam: Now it's my turn?
Me: Yes. What do you want to know?
Sam: Well, first I want to thank you for giving me a happy ending.
Me: You're welcome. Most stories should have a happy ending. Otherwise the reader will be disappointed, especially in a romance novel. So what is your question?
Sam: I wondered why you named me Sam. And why the whole Casablanca thing?
Me: Didn't you like it?
Sam: Hey, I thought I was asking the questions.
Me: Okay, okay. Boy, you sure have gotten pushy now that you are all self-actualized and all.
Sam: Self what?
Me: Sure of yourself. Strong. Confident. Remember how you were in the beginning of the story?
Sam: Oh, right. So anyway, my question?
Me: Okay. When I wrote the story I wanted to say something about a person who starts her life over again, and the phrase "play it again" kept running through my mind. That reminded me of Casablanca, one of the best love stories ever, so I decided to make it a favorite of yours.
Sam: What if I didn't like it?
Me: But you did, right?
Sam: Yeah.
Me: And I didn't make you like it just because I wanted you to, right?
Sam: That's true. At first I wasn't sure, but when I saw the movie I fell in love with it. And then that whole thing you did with Frank when he-
Me: Stop! Don't tell. You don't want to give anything away. Then people might not read your story and see how you became all self-actualized.
Sam: I kind of like that. Self-Actualized. Thanks.
Me: You're welcome. That was all part of your character arc.
Sam: I don't care why you did it. I'm just glad that my life turned out so well after John. He sure did kick the foundation out from under me.
Me: So you built a new one. There's an old adage "That which doesn't kill us makes us stronger." Or something like that. But you know what I mean. You made choices throughout the story that made you stronger, until you became who you are now.
Sam: I did, didn't I.
Me: Yes you did. This was your story. Not mine. So... now could you go away for a while. I do have some other characters I need to be talking to right now.
Sam: Okay, okay. I think I'll go someplace warm and play on a beach. It is freakin' cold here.
Me: Can I go with you?
Sam: Nope. You said you had to work. Chop, chop, girl.
If you enjoyed meeting Sam and would like to know her "happy ever after" ending, Play It Again, Sam is on sale at Untreed Reads for 30% off the cover price from now through Valentine's Day. It is just one of the many romance novels on sale during this special event.
A commentary about life and writing, and the absurdities of the human condition. Updated on Monday, Wednesday, and Friday, with an occasional book review on Sundays.
Showing posts with label character interview. Show all posts
Showing posts with label character interview. Show all posts
Wednesday, January 22, 2014
Wednesday, December 04, 2013
A Surprise Guest
Today's Wednesday's Guest is Leslie Richards, the central character in my mystery, Boxes For Beds. She popped into my office the other day and we had a nice little chat.
Leslie: Hey there, am I interrupting?
Me: Well, I am a bit busy. What do you want?
Leslie: Mandy is off to school and I'm a bit lonely. Plus I have a writing problem that I thought you could help with.
Me: Ah, still writing then?
Leslie: Trying to. But it was so hard to get my focus back after all that has happened.
Me: Maybe you should focus on promoting instead. Do a blog book tour.
Leslie: A what?
Me: Visiting blogs on the Internet. Telling people your story. Like you are doing here.
Leslie: People? What people? It's just the two of us, sitting here and having coffee.
Me: Actually, it's not just us. I'm sharing our conversation on my blog. I'll share some virtual coffee, too. I always do on Wednesdays.
Leslie: You lost me. I have no idea what you are talking about. Blog? Virtual coffee? Or that other thing. What was it? The Internet?
Me: Sorry. I'm so used to all that, I forgot you wouldn't be. So much has changed since 1961. So let's see. How do I explain it?
Leslie: Maybe you shouldn't try. I don't even know what that thing is you are typing on. Why aren't you using your typewriter? It looks a lot like mine.
Me: This is a computer. What I type goes into its memory, then I can send pages to this thing. It's called a printer. I haven't used that old Royal since I got my first computer in 1975.
Leslie: You mean you don't have to type each page of a manuscript and try to get it perfect? No more correction fluid? No more smudged pages?
Me: Yup.
Leslie: Wow.
Me: So, other than the effect on your writing, how are you coping with the aftermath of being arrested and almost going to prison?
Leslie: I'm managing. My friend Pauline has stuck with me through it all, and we talk almost every day. I've been helping her with her lending library.
Me: That's good. What about Mandy? How's she doing?
Leslie: Better than me, I think. You know how resilient kids can be sometimes. Once I was cleared and back home, she was relieved. And having Ronald there helps.
Me: Ah, so he stayed around?
Leslie: Yeah. He really has been a steadying influence. For Mandy and for me.
Me: Are you and Ronald making plans for a wedding?
Leslie: Not yet. Our relationship has had so many ups and downs, I want to make sure that we are both ready for something permanent. It's just so hard to trust my emotions right now.
Me: Waiting is probably a wise decision. But do let me know when things change. Maybe I could write about it. There are readers who are curious.
Leslie: How do you know?
Me: They've asked in comments they leave at Amazon.
Leslie: Amazon? Do you mean they are leaving messages at the river in South America?
Me: No, silly. It's on the internet. A place where books are sold.
Leslie: Okay. This is too confusing. Maybe I should just go back to my own time period, but before I go, do you have any advice about my writing problem?
Me: That's a hard one, but I think if you just try every day, eventually you will tap back into your creative well. And do something everyday to make you feel good about yourself. That positive energy helps. So does a nice chocolate mocha.
Leslie: A what?
Me: Never mind. Go. Get out of here so we can both get back to work.
Leslie: Hey there, am I interrupting?
Me: Well, I am a bit busy. What do you want?
Leslie: Mandy is off to school and I'm a bit lonely. Plus I have a writing problem that I thought you could help with.
Me: Ah, still writing then?
Leslie: Trying to. But it was so hard to get my focus back after all that has happened.
Me: Maybe you should focus on promoting instead. Do a blog book tour.
Leslie: A what?
Me: Visiting blogs on the Internet. Telling people your story. Like you are doing here.
Leslie: People? What people? It's just the two of us, sitting here and having coffee.
Me: Actually, it's not just us. I'm sharing our conversation on my blog. I'll share some virtual coffee, too. I always do on Wednesdays.
Leslie: You lost me. I have no idea what you are talking about. Blog? Virtual coffee? Or that other thing. What was it? The Internet?
Me: Sorry. I'm so used to all that, I forgot you wouldn't be. So much has changed since 1961. So let's see. How do I explain it?
Leslie: Maybe you shouldn't try. I don't even know what that thing is you are typing on. Why aren't you using your typewriter? It looks a lot like mine.
Me: This is a computer. What I type goes into its memory, then I can send pages to this thing. It's called a printer. I haven't used that old Royal since I got my first computer in 1975.
Leslie: You mean you don't have to type each page of a manuscript and try to get it perfect? No more correction fluid? No more smudged pages?
Me: Yup.
Leslie: Wow.
Me: So, other than the effect on your writing, how are you coping with the aftermath of being arrested and almost going to prison?
Leslie: I'm managing. My friend Pauline has stuck with me through it all, and we talk almost every day. I've been helping her with her lending library.
Me: That's good. What about Mandy? How's she doing?
Leslie: Better than me, I think. You know how resilient kids can be sometimes. Once I was cleared and back home, she was relieved. And having Ronald there helps.
Me: Ah, so he stayed around?
Leslie: Yeah. He really has been a steadying influence. For Mandy and for me.
Me: Are you and Ronald making plans for a wedding?
Leslie: Not yet. Our relationship has had so many ups and downs, I want to make sure that we are both ready for something permanent. It's just so hard to trust my emotions right now.
Me: Waiting is probably a wise decision. But do let me know when things change. Maybe I could write about it. There are readers who are curious.
Leslie: How do you know?
Me: They've asked in comments they leave at Amazon.
Leslie: Amazon? Do you mean they are leaving messages at the river in South America?
Me: No, silly. It's on the internet. A place where books are sold.
Leslie: Okay. This is too confusing. Maybe I should just go back to my own time period, but before I go, do you have any advice about my writing problem?
Me: That's a hard one, but I think if you just try every day, eventually you will tap back into your creative well. And do something everyday to make you feel good about yourself. That positive energy helps. So does a nice chocolate mocha.
Leslie: A what?
Me: Never mind. Go. Get out of here so we can both get back to work.
Wednesday, March 06, 2013
A Fictional Guest
Today I want to introduce a character from my latest book. In Boxes For Beds, Deputy Gus Shumaker works with Sheriff Bates in a small town in rural Arkansas in 1960. He has been clamoring for a chance to speak, so I thought I would let a character from my latest book have the spotlight here as Wednesday's Guest.
Maryann: So, Gus, what is on your mind that you woke me up at 3 this morning wanted to talk?
Gus: Some things need to be cleared up about how I work before too many people read the book and get the wrong idea.
Maryann: Why would that happen?
Gus: Because folks don't know how it was back then with the mob all over Hot Springs. And people in power liked to stay in power.
Maryann: What do you mean?
Gus: Bates, for instance. He really likes that he is a law unto himself. He can do any dang thing he wants. And I don't want folks to think that I supported that. If you hadn't kept pulling me back I would have explained more about that.
Maryann: So that's it? You're mad because I didn't let you take over the whole story?
Gus: Well, yeah. Sort of.
Maryann: Gus, Gus, Gus. I really hated to have to put you in your place. Honest. You are a great character, and I probably could have written a whole book with you as a central character. But this is Leslie's story.
Gus: Does that mean I might get my own story?
Maryann: I don't know. I have a lot of other stories... wait... don't pout. That doesn't become you. Maybe I can write something in the future. Would you like to be in on cleaning up Hot Springs?
Gus: Yes, Ma'am. I'd like nothing better. Chase all those gangsters back to Chicago where they belong.
Maryann: Um, Gus, as a law enforcement officer, wouldn't you want to see them all in jail, not in Chicago?
Gus: Our jail's too small. Let the officers in Chicago lock them up.
Maryann: Okaaayyy. So, is there anything else you would like to say while you are here? Last chance.
Gus: Let me think a minute. Oh, yeah, I hope people like the book, and me. I did try my best to do the right thing. It's hard to stand up to people like Bates, and I know I should have tried harder at times. And I guess I should say I'm sorry for waking you up so early.
Maryann: Apology accepted. But please, the next time you want to talk, there are lots of daylight hours you know.
Gus: Well, back here in your creative subconscious, we don't know night from day.
Maryann: True. I'd forgotten about that. Now are you ready to go back there and let me get on with my next story. The sooner I finish that one, the sooner I might be able to get back to one about you.
Gus: Leaving now. Don't let me hold you up.
Boxes For Beds was just released last week, and will be a free read for the next three days, Thursday, Friday, and Saturday for Kindle. Please hop over and grab a copy, and if you do, I would love for you to leave a short review when you finish reading.
Maryann: So, Gus, what is on your mind that you woke me up at 3 this morning wanted to talk?
Gus: Some things need to be cleared up about how I work before too many people read the book and get the wrong idea.
Maryann: Why would that happen?
Gus: Because folks don't know how it was back then with the mob all over Hot Springs. And people in power liked to stay in power.
Maryann: What do you mean?
Gus: Bates, for instance. He really likes that he is a law unto himself. He can do any dang thing he wants. And I don't want folks to think that I supported that. If you hadn't kept pulling me back I would have explained more about that.
Maryann: So that's it? You're mad because I didn't let you take over the whole story?
Gus: Well, yeah. Sort of.
Maryann: Gus, Gus, Gus. I really hated to have to put you in your place. Honest. You are a great character, and I probably could have written a whole book with you as a central character. But this is Leslie's story.
Gus: Does that mean I might get my own story?
Maryann: I don't know. I have a lot of other stories... wait... don't pout. That doesn't become you. Maybe I can write something in the future. Would you like to be in on cleaning up Hot Springs?
Gus: Yes, Ma'am. I'd like nothing better. Chase all those gangsters back to Chicago where they belong.
Maryann: Um, Gus, as a law enforcement officer, wouldn't you want to see them all in jail, not in Chicago?
Gus: Our jail's too small. Let the officers in Chicago lock them up.
Maryann: Okaaayyy. So, is there anything else you would like to say while you are here? Last chance.
Gus: Let me think a minute. Oh, yeah, I hope people like the book, and me. I did try my best to do the right thing. It's hard to stand up to people like Bates, and I know I should have tried harder at times. And I guess I should say I'm sorry for waking you up so early.
Maryann: Apology accepted. But please, the next time you want to talk, there are lots of daylight hours you know.
Gus: Well, back here in your creative subconscious, we don't know night from day.
Maryann: True. I'd forgotten about that. Now are you ready to go back there and let me get on with my next story. The sooner I finish that one, the sooner I might be able to get back to one about you.
Gus: Leaving now. Don't let me hold you up.
Boxes For Beds was just released last week, and will be a free read for the next three days, Thursday, Friday, and Saturday for Kindle. Please hop over and grab a copy, and if you do, I would love for you to leave a short review when you finish reading.
Wednesday, May 16, 2012
A Dead Guy Talks To You - Guest Peg Herring
First, thanks to
Maryann for hosting me on It’s Not All Gravy!
A full schedule is posted at my blog http://itsamysterytomepegherring.blogspot.com/.
When the tour is over (June 11th), the complete Seamus interview
will be posted on there as well.
Prizes: People who comment on any blog post on the tour will
be entered in drawings for several prizes: Dead Detective T-shirts, copies of The Dead Detective Agency and Dead For the Money (paperback or e-books
available), and the chance to be a character in the third of the series Dead For the Show. Multiple winners will be drawn.
A Dead Guy Talks about You -Part 6
Interviewer: It’s been very informative to talk with you, Seamus. I just
have a few more questions for you to complete our interview.
Seamus: Sure.
Interviewer: I’d like to know why you do what you do. Why do you keep
coming back to earth?
Seamus: I like helping the clients out. You know, giving them answers
that make things easier for them.
Interviewer: But what do you get out of it? You said it’s painful, and
you’ve said it isn’t easy to operate here. Yet you’ve been at it for a long
time.
Seamus: (after some thought) I guess I like it here better than there.
Interviewer: (incredulous) But Seamus, you died and went to heaven!
Seamus: Technically It isn’t heaven. I can’t talk about that. Let’s just
say I like it here.
Interviewer: But you’ve told us how heavy the human body is, how hard it
is to read a person’s mind, how different your hosts’ perceptions are from what
yours were.
Seamus: Yeah, yeah. All that’s true. I can’t explain it, but I want to
be here, even if it’s tough.
Interviewer: Tough to know you don’t belong here anymore?
Seamus: Yeah. It’s hard to see what you left undone. Hard to think you
might have done lots of things better. Hard to admit that you aren’t going to
get any more chances. (A pause) You know, all your life you tell yourself
“Tomorrow I’m going to—whatever.”
Interviewer: Lose weight? Take a chance? Be nicer to others?
Seamus: Exactly. Then one day there isn’t any tomorrow. You didn’t do
it, and now you can’t. Ever.
Interviewer: I see.
Seamus: That’s what’s bad about dying, knowing you can’t do those things
you said you’d do tomorrow. You had a chance, just one chance, to be who you
are—who you were. When it’s over, you can’t fix any of it.
Interviewer: “The Moving Finger writes; and, having writ,/Moves on: nor
all thy Piety nor
Wit/Shall lure it back to cancel half a Line,/Nor all thy
Tears wash out a Word of it.”
Seamus: What?
Interviewer: It’s from Gibran’s The
Prophet. It sums up what you were saying. (Tiny laugh)
Sorry, that’s my
degree in world literature talking.
Seamus: Oh. Sure. I guess he said what I said, only better.
Interviewer: I’d like to thank you for being our guest over the course
of these interviews.
Seamus: I guess it wasn’t too bad. You didn’t ask anything too
embarrassing.
Interviewer: Oh, that reminds me. Would you please tell us about hosting
with a rat?
Seamus: You said the interview was over. If they want to know about
that, Peg covered it in The Dead
Detective Agency. Now, I have to get back to work. See you around.
~~~~~~~~~~~
Peg Herring lives in Michigan and writes two series,
the critically acclaimed Simon & Elizabeth (Tudor) Mysteries (Five Star
Publishing) and the award-winning Dead Detective Mysteries (LL-Publications).
When not writing, Peg enjoys directing musical groups, gardening, and talking
about writing.
Dead For the Money (e-book)
The Dead Detective Agency (paperback)
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