Showing posts with label police procedural. Show all posts
Showing posts with label police procedural. Show all posts

Sunday, September 28, 2014

Book Review - The Death of Anyone by DJ Swykert

The Death of Anyone
DJ Swykert
Melange Books
224 pages
ASIN: B00BNQ6S74
$2.99




The Death of Anyone, Melange Books, March 2013, is a fictional story of Detroit Homicide Detective, Bonnie Benham, who convinces the District Attorney to allow a Familial DNA search as she investigates the murder of several young girls. The book reveals standard investigative homicide procedures and the frustration of the officers as all leads go nowhere and the body count continues to mount. A task force is put together and Bonnie and her partner, Neil Jensen, who understands Bonnie’s frustration, become inseparable as they track this serial killer. 

This is a tough, gritty novel with authenticity. The central character, Bonnie, is a really strong, capable detective, and when she is after a killer she is like a bulldog with a bone. The reader also gets to see the more feminine side of the character as well, giving her many dimensions to enjoy. 

I was particularly interested in reading this novel set in Detroit, as I grew up there and looked forward to a virtual visit home. I was not disappointed. The setting was firmly established, and I recognized many of the places and streets referenced in the book. 

Most stories answer the title in a sense. What I mean is that we can often finish a book and think, ah, that explains the title. I'm still mystified about why this title was chosen. One Amazon reviewer connected it to the acronym DOA - Death of Anyone - but I have always thought the most popular meaning of that in police work was Dead on Arrival.

For the most part, this was a very enjoyable read. I liked the characters and the police ensemble cast worked well. Unfortunately for me, it is hard to put my editor's hat aside and just read for fun, so I was tempted to get out my red pencil a few times. That did distract from the read for me, but others might just skim over the minor craft issues.

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ABOUT THE AUTHOR:

DJ Swykert is a former 911 operator. His work has appeared in The Tampa Review, Detroit News, Monarch Review, Lunch Ticket, Zodiac Review, Barbaric Yawp and Bull. His books include Children of the Enemy, Maggie Elizabeth Harrington, Alpha Wolves, The Death of Anyone and The Pool Boy’s Beatitude. A list of his books can be found on his Amazon Author Page, and you can find him at: www.magicmasterminds.com/djswykert and on his BLOG
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DJ will be my Wednesday's Guest this week, so do try to come by and meet him. He is quite fascinated with Familial DNA testing, which plays a part in The Death of Anyone. Perhaps he will tell us a bit more about that. 

Wednesday, August 20, 2014

Writing by the Numbers and Playing by the Rules

Today's Wednesday's Guest is Stanley Schatt who is here to share about how his mystery, Silent Partner, came to be. Sometimes we writers to like to give a bit of the backstory. We are all influenced by other writers whose books we enjoy, and the story ideas don't always come out of thin air. I do enjoy finding out from other writers where their ideas come from, and I hope you do as well.

I forgot to ask Stan what he might like in way of refreshments, so I decided to go with what I would like this morning, and that is a cup of coffee and a Danish. Help yourself if you'd like and settle back to enjoy....


Every genre has its own rules. Try writing a fairy tale without beginning with “Once upon a Time” and see what your audience’s reaction will be. Try writing a love story in which you change the formula from “boy meets girl, boy loses girl, boy gets girl” to  “boy meets girl and they hate each other and never meet again.” Your readers will boo you out of the library. Similarly, try writing a modern mystery in which you use some of the gimmicks found in the old Perry Mason TV show. Have someone no one ever suspected as the killer suddenly jump up in court and confess.

Readers today have certain expectations. When they sit down to read a mystery, they expect the writer to follow certain rules. They want to follow detectives as they try to solve a crime, look over their shoulders, and guess right along with them.. They don’t mind being led astray by a few red herrings, but they expect to see the detectives solve their cases by using logical deductions and modern police procedures. Readers don’t want an entirely new character to appear in the last chapter and confess. That’s cheating! If a couple of very suspicious characters turn out to be good citizens, that’s okay because all of us misjudge people on occasion.

So, you can understand my dilemma when I sat down to write a police procedural mystery with a paranormal component. I couldn’t have the ghost perform any tricks to help solve the crimes. I couldn’t have the ghost whisper to Josh Harrell that Mr. Jones is the killer. What kind of experience would that be for my readers? Instead, I had to make absolutely sure that Detective Frankie Ryan solves the case logically so readers can guess along with her and feel they haven’t been cheated.

What I wound up doing in Silent Partner was to have a two-pronged search for a killer. Frankie uses modern police procedures while Josh gets occasional hints from his spiritual guide. As long as they both wind up at the same place at around the same time, the process works.

Having said that, I want to point out a number of other elements of my novel that fit neatly into the modern police procedure mystery; I’m talking specifically about the detective-hero, the protagonist in so many modern mysteries. Think of Harry Bosch in the Michael Connelly novels as an example. The detective is generally a loner, even if he or she works with a partner. The detective often is at odds with departmental chiefs because they are more concerned with protecting their jobs than in solving cases. Similarly, the detective often disregards departmental rules for the greater good.

Most detectives have personal problems; they tend to be a lonely group that drinks heavily. They are very moral, though, and incapable of selling out. They are fearless and relentless when it comes to solving a case, even if that means putting themselves in danger.

Often detectives relate best to the “little people” within the department, the hardworking CSI technicians who aren’t political. Detectives are very bad at politics. They don’t have the heart to kiss up to those above them. They frequently are in danger of being fired or demoted; other officers don’t understand their passion for their “mission” and think of them as a bit deranged.

So, even though I did add a paranormal element to my novel, I followed the rules for the most part when it came to my detective. She’s a female version of a long line of detective-heroes leading up and including Harry Bosch. In fact, my intention in writing Silent Partner was to create a female Harry Bosch.

I hope you enjoy reading Silent Partner and following the clues strewn throughout the book. I’ve certainly seeded the trail with plenty of hints. See if you can discover the killer before Detective Frankie
Ryan or reporter Josh Harrell do.

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You can find out more about Stan on his WEBSITE, where he has a blog and follow him on TWITTER     His publisher is offering a 15% discount of the $14.97 cover price for pre-orders that will ship on September first. You can order from the Pen-L Publishing Website

Monday, October 25, 2010

Excerpt From A New Book by Maryann Miller

 My new mystery will be released in December by Five Star, so I thought I would post a few excerpts between now and then. Enjoy....

OPEN SEASON
PROLOGUE

Sarah took a deep breath and faced Quinlin in the stuffy cubbyhole of an office. The room was hot and musty. Dust motes floated in the slivers of sunshine that had penetrated the haze of accumulated grime on the windows of the old building. The scent of his cologne hung heavily in the still air. Chaps. Rich, masculine, and too easily a distraction.

Dressed in a dark, somber suit, Quinlin didn’t speak. He watched her with the careful scrutiny of a snake considering a field mouse. A trickle of perspiration ran down Sarah’s back and dampened her white T-shirt. Shifting in the wooden chair, she contemplated the wisdom of taking off her jacket, then decided against it. He would interpret it as a sign of weakness.

She thought she was prepared for this. She’d rehearsed it a million times, remembering the images, nailing down the sequence, readying herself for his opener, “Detective Kingsly, tell me what happened that night.”
She recalled the moon playing tag with a few heavy clouds, casting weird, disorientating shadows on the crumbling buildings. She remembered wishing the clouds would give way to rain, anything to relieve the oppressive heat that had pounded the city relentlessly for weeks. She remembered thinking the heat made people do crazy things.

Maybe that’s why it had happened.

The rest of it flashed through her mind like a sequence of freeze frames.

Franco and the boy turn.
A glint of metal in the moonlight.
John pushes her away, reaching for the gun tucked in his waistband.
The clasp on her purse sticks.
A flash of gunfire.
The sharp report of return fire.
Struggling to get her gun.
Franco is down.
The kid swings his gun toward John.
She fires the same time the kid does.
The coppery smell of warm blood.
Hers?
No.
Goddam it, John, get up!
Why is everything so quiet?
Where is the kid?
There’s a big gaping hole in the cheap sequined evening bag.


Every time Sarah played the scene in her mind, she hoped for a different ending. It never came. Her purse always had the hole in it. John was always dead. And so was the kid.

“And you’re sure you had no choice?” Quinlin’s officious voice rankled with unspoken insinuations.

Sarah suppressed a surge of anger as he walked behind her chair. The son of a bitch is not going to trip me up. No way.

“Yes.” She didn’t trust herself with more words.

“That’s pretty easy to say since everyone else who was there is dead.”

The comment jolted her, and she clenched sweaty fists in her lap to keep herself in the chair. Don’t dignify that with a response.

Quinlin came up beside her and paused. Sarah didn’t look at him for a long moment, then turned and met his insolent gaze with steady gray eyes. Go ahead. Give it your best shot.

They maintained the visual standoff for a moment that seemed to drag into eternity, and Sarah breathed a silent sigh of relief when he broke contact first. It had been a minor skirmish in the overall war, but the small victory shifted the balance of power slightly in her favor.

Quinlin walked around his desk and sat down in his chair. “Have you scheduled your appointment with Doc Murray?”

“No.”

“Why not?”

The question was accompanied by a sincere smile she knew was calculated to disarm her. Fuck him and fuck his pseudo-compassion. “I thought it might be nice to bury my partner before I start putting my life back together.”

Quinlin pushed wire-framed glasses up and let his finger rest on the side of his nose. Sarah never knew if it was a pose designed to exude wisdom, but she recognized another familiar tactic. He could sit there like that forever, hoping the strain of the silence would open some verbal floodgates.

It wasn’t going to happen to her. Not here. Not now.

She clamped her lips tight and turned the nervous flutter of her hand into an acceptable gesture of tucking a strand of blonde hair behind her ear.

“The visit’s mandatory before you can be reinstated,” Quinlin said, his voice chilling her like a douse of ice water.

“I know. I’ll take care of it.”

Apparently satisfied with that response, he leaned back in his chair. “Did you have any suspicion the bust might go bad?”

“No.”

Silence stretched between them like a guitar string tuned too high.

“You’re going to have to talk to me,” Quinlin said. “I have to know what went down that night.”

“Read the report.”

“Why the resistance, Detective? You know the drill.” Quinlin gently rocked in his swivel chair, creating a sound track of rhythmic squeaks. “I don’t make decisions based solely on reports.”

Sarah broke away from his intense scrutiny and clenched her jaw so hard her teeth hurt. Why couldn’t he back off? Just for a couple of days. He couldn’t be that much of a prick not to see she wasn’t ready to talk. Not until the words could come without the tears.

But then again, it was his job to be a prick. To catch people at their most vulnerable moments. Dig and probe and push until he was satisfied nothing was held back. He did this to every officer who used deadly force. Not just her. But the realization offered no consolation.

“Detective.” His voice called her to attention. “Did you know the kid was going to be there?”

“No.” She took a deep shuddering breath. “Can I have a drink of water?”

“Certainly.” Quinlin rose and went to the water cooler in the corner.

Sarah used the time to compose herself. She had to at least appear willing to comply. Answer some of the questions. Otherwise . . .

She didn’t want to think about otherwise.

She accepted the paper cup and took a soothing swallow of the cool water. Quinlin reclaimed his seat and she met his penetrating gaze again. “When we set up the meet, it was just supposed to be Franco. We’d been working him for a couple of months.”

“Why didn’t you abort the bust?”

“No chance.” Sarah balanced the empty cup on the edge of his desk. “The action started almost immediately.”

“You think they made you?”

She shook her head, remembering the meets to set up the buy. “Franco was a punk. He wasn’t smart enough to make us. He just thought he was smart enough to take out a rich guy and his broad.”

“That’s the way you figure it?”

“Yeah.” Sarah wiped a clammy hand on the smooth fabric of her jeans, hoping to still the tremble of muscle that could quickly become jerky spasms. If Quinlin noticed, he gave no sign.

She waited out another silence.

“That’s all for today.” Quinlin sat forward abruptly and picked up a file from his desk, effectively dismissing her.

Rising, Sarah fished her car keys out of her jacket pocket and headed toward the door.
In the quiet hallway, she leaned her forehead against the cool cement of the wall and took an angry swipe at the tear that had dared to trickle down her cheek.

Sunday, October 10, 2010

Book Review - Open Season


Since Sunday is book review day here, I thought I'd post the review I just received for my December release, Open Season. This was in Publisher's Weekly, and I am both humbled and thrilled at the review.

Open Season
Maryann Miller, 
Five Star Cengage/Gale
$25.95 (302p) ISBN 978-1-59414-915-3

Miller spins a tight tale that's a cut above the average police procedural in this first of a new series introducing Dallas police detective Sarah Kingsly. Still reeling from community protests over her accidental shooting of a 14-year-old African-American boy during an undercover drug operation that went awry and left her partner dead, Sarah anxiously awaits the ruling of the Dallas Review Board. Meanwhile, in a PR move, her superiors team her with a new, African-American partner, Angel Johnson. Both women must overcome their mistrust of each other and thorny racial conflicts as they try to solve a series of mall murders, in which three men with drug problems are garroted to death with piano wire by a killer who leaves increasingly frantic messages at the crime scenes. The investigation tests Sarah and Angel in ways both expected and unexpected. Readers will want to see more of these engaging female cops. (Dec.)